Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Wheatfield and Row of Trees oil


Wheatfield and Row of Trees
Painting ID::  924 		Wheatfield and Row of Trees
1890-92
1890-92
   
   
     
Edgar Degas Women,on a Cafe Terrace (san16) oil


Women,on a Cafe Terrace (san16)
Painting ID::  20810 		Women,on a Cafe Terrace (san16)
Pastel 1' 4 1/2"x 1' 9 3/4"(54.5x71.5cm) Bequest of Gustave Caillebotte, 1896
   
   
     
Edgar Degas Woman at Her Toilette (mk05) oil


Woman at Her Toilette (mk05)
Painting ID::  20957 		Woman at Her Toilette (mk05)
1889 Pastel on paper 23 x 23 1/2''(59 x 60 cm)(Ex coll I Ostrohkhov)
   
   
     
Edgar Degas Family Portrait(or the Bellelli Family) oil


Family Portrait(or the Bellelli Family)
Painting ID::  11329 		Family Portrait(or the Bellelli Family)
1858-1860(Salon of 1867) 6' 6 3/4'' x 8' 2 1/2''(200 x 250 cm)
   
   
     
Edgar Degas Degas and Evariste de Valernes(1816-1896) oil


Degas and Evariste de Valernes(1816-1896)
Painting ID::  11330 		Degas and Evariste de Valernes(1816-1896)
Painter and friend of the Artist,ca.1865 3' 9 3/4'' x 2' 11''(116 x 89cm) Gift of Gabriel Fevre,1931
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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