Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Mlle Dihau at the Piano oil


Mlle Dihau at the Piano
Painting ID::  49191
Mlle Dihau at the Piano
mk194 c.1869 Oil on canvas 39x32cm
mk194 c.1869 Oil_on_canvas 39x32cm
   
   
     

Edgar Degas Untitled  Near Saint-Valery-sur oil


Untitled Near Saint-Valery-sur
Painting ID::  49192
Untitled Near Saint-Valery-sur
mk194 1895
mk194 1895
   
   
     

Edgar Degas Young Woman Lying on a Chaise longue oil


Young Woman Lying on a Chaise longue
Painting ID::  49193
Young Woman Lying on a Chaise longue
mk194 c.1895-1900
mk194 c.1895-1900
   
   
     

Edgar Degas The masseuse oil


The masseuse
Painting ID::  49194
The masseuse
mk194 c.1895-1900
mk194 c.1895-1900
   
   
     

Edgar Degas Glulia Bellelli,Study for the belletti Family oil


Glulia Bellelli,Study for the belletti Family
Painting ID::  49195
Glulia Bellelli,Study for the belletti Family
mk194 1858-59
mk194 1858-59
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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