Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Young woman with field glasses oil


Young woman with field glasses
Painting ID::  50014
Young woman with field glasses
mk206 1866 Essence on pink paper 28x22cm
mk206 1866 Essence_on_pink_paper 28x22cm
   
   
     

Edgar Degas Portrait of a Dancer at her Lesson oil


Portrait of a Dancer at her Lesson
Painting ID::  50015
Portrait of a Dancer at her Lesson
mk206 about 1879 Black chalk and pastel on three pieces of wove paper joined together 64.5x56.2cm
   
   
     

Edgar Degas Woman at her toilette oil


Woman at her toilette
Painting ID::  50016
Woman at her toilette
mk206 1895-1900 Pastel on paper 53x69cm
mk206 1895-1900 Pastel_on_paper 53x69cm
   
   
     

Edgar Degas A Lake in the Pyreness oil


A Lake in the Pyreness
Painting ID::  50017
A Lake in the Pyreness
mk206 about 1890-3 Monotype in oils on paper 29.8x29.6cm
   
   
     

Edgar Degas Young girl with a wihte scarf oil


Young girl with a wihte scarf
Painting ID::  50019
Young girl with a wihte scarf
mk206 1871-2 Oil on canvas 40x32cm
mk206 1871-2 Oil_on_canvas 40x32cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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