Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Ballet class oil


Ballet class
Painting ID::  50067
Ballet class
mk206 about 1880 Oil on canvas 62x50.5cm
mk206 about_1880 Oil_on_canvas 62x50.5cm
   
   
     

Edgar Degas Dancer in ther front of Photographer oil


Dancer in ther front of Photographer
Painting ID::  50642
Dancer in ther front of Photographer
mk213 Oil on canvas
mk213 Oil_on_canvas
   
   
     

Edgar Degas The Portrait of Martelli oil


The Portrait of Martelli
Painting ID::  50858
The Portrait of Martelli
mk216 a Florentine art critic,seen in his study,carpet slippered,in his shirt-sleeves abd anud a cibfysuib if oaoers
   
   
     

Edgar Degas Madame Rene de Gas oil


Madame Rene de Gas
Painting ID::  53899
Madame Rene de Gas
mk234 1872/73 73x92cm
mk234_ 1872/73_ 73x92cm
   
   
     

Edgar Degas Four dansoser oil


Four dansoser
Painting ID::  53900
Four dansoser
mk234 about 1899 151x180cm
mk234_ about_1899_ 151x180cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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