Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Opera-s dry running hall oil


Opera-s dry running hall
Painting ID::  49899
Opera-s dry running hall
mk206 about 1872 Oil on canvas 32x46cm
mk206 about_1872 Oil_on_canvas 32x46cm
   
   
     

Edgar Degas Carriage on racehorse ground oil


Carriage on racehorse ground
Painting ID::  49900
Carriage on racehorse ground
mk206 1869 Oil on canvas 36.5x55.9cm
mk206 1869 Oil_on_canvas 36.5x55.9cm
   
   
     

Edgar Degas Racehorse ground oil


Racehorse ground
Painting ID::  49901
Racehorse ground
mk206 1871 Oil on canva 30x40cm
mk206 1871 Oil_on_canva 30x40cm
   
   
     

Edgar Degas improper beginning oil


improper beginning
Painting ID::  49902
improper beginning
mk206 1869-1871 Oil on board 32x40.3cm
mk206 1869-1871 Oil_on_board 32x40.3cm
   
   
     

Edgar Degas The woman beside th vase oil


The woman beside th vase
Painting ID::  49903
The woman beside th vase
mk206 1872 Oil on canvas 65x34cm
mk206 1872 Oil_on_canvas 65x34cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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