Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Studo for Diego Martelli oil


Studo for Diego Martelli
Painting ID::  49181
Studo for Diego Martelli
mk194 1879
mk194 1879
   
   
     

Edgar Degas Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist oil


Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
Painting ID::  49182
Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
mk194 c.1870-71 Oil on canvas 54x40cm
mk194 c.1870-71 Oil_on_canvas 54x40cm
   
   
     

Edgar Degas Cotton Merchants in New Orleans oil


Cotton Merchants in New Orleans
Painting ID::  49183
Cotton Merchants in New Orleans
mk194 1873
mk194 1873
   
   
     

Edgar Degas Alice Villette oil


Alice Villette
Painting ID::  49184
Alice Villette
mk194 1872
mk194 1872
   
   
     

Edgar Degas At the races The Start oil


At the races The Start
Painting ID::  49185
At the races The Start
mk194 c.1860-62
mk194 c.1860-62
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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