Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas the bellelli family oil


the bellelli family
Painting ID::  56264 		the bellelli family
mk247 1858 to 67,oil on canvas,78.75x98.5 in,200x250 cm,musee d orsay,paris,france
   
   
     
Edgar Degas the dance class oil


the dance class
Painting ID::  56280 		the dance class
mk247 c.1874,oil on canvas,33.5x29.5 in,85x75 cm,musee d orsay,paris,france
   
   
     
Edgar Degas l absinthe oil


l absinthe
Painting ID::  56288 		l absinthe
mk247 1876,oil on canvas,36.25x26.75 in,92x68 cm,musee d orsay,paris,france
   
   
     
Edgar Degas the tub oil


the tub
Painting ID::  56321 		the tub
mk247 1886,pastel on card ,23.625x32.625 in,60x83 cm,musee d orsay,paris,france
   
   
     
Edgar Degas lorchestre de l opera oil


lorchestre de l opera
Painting ID::  56561 		lorchestre de l opera
mk248 den forsta i en serie malningar av orkesternedlemmar ocb ett portratt av degas uan desire dibau, som demokratiskt placerats bland de ovriga orkestermedlemmarna strax nedanfor en ljus fris av densoser, upplysta ocb delacroix som degas beundrade. degas ocb delacroix bade ett veten skapligt intresse for fargteori ocb pigment.
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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