Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Stage Rehearsal oil


Stage Rehearsal
Painting ID::  58622 		Stage Rehearsal
Stage Rehearsal, 1878-1879, The Metropolitan Museum of Art New York City
   
   
     
Edgar Degas Dancers at The Bar oil


Dancers at The Bar
Painting ID::  58624 		Dancers at The Bar
Dancers at The Bar, 1888, The Phillips Collection, Washington, DC
   
   
     
Edgar Degas Woman in the Bath oil


Woman in the Bath
Painting ID::  58626 		Woman in the Bath
Woman in the Bath, 1886, Hill-Stead Museum, Farmington, Connecticut
   
   
     
Edgar Degas The Tub oil


The Tub
Painting ID::  58627 		The Tub
The Tub, 1886, Mus??e d'Orsay, Paris, France
The_Tub,_1886,_Mus??e_d'Orsay,_Paris,_France
   
   
     
Edgar Degas After the Bath oil


After the Bath
Painting ID::  58628 		After the Bath
After the Bath, 1896-1898
After_the_Bath,_1896-1898
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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