Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Amateurs oil


The Amateurs
Painting ID::  86391 		The Amateurs
oil on panel, private collection Date 1878-1880 cyf
oil_on_panel,_private_collection_ Date_1878-1880 _ cyf
   
   
     
Edgar Degas The Dance Class oil


The Dance Class
Painting ID::  86749 		The Dance Class
1874(1874) Medium Oil on canvas Dimensions 83.2 x 76.8 cm (32.8 x 30.2 in) cyf
   
   
     
Edgar Degas Houses at the Foot of a Cliff oil


Houses at the Foot of a Cliff
Painting ID::  87644 		Houses at the Foot of a Cliff
Date c. 1895-1898 Medium Oil on canvas cjr
Date_c._1895-1898 _ Medium_Oil_on_canvas _ cjr
   
   
     
Edgar Degas Ballettsaal der Oper in der Rue Peletier oil


Ballettsaal der Oper in der Rue Peletier
Painting ID::  88970 		Ballettsaal der Oper in der Rue Peletier
1872(1872) Medium oil on canvas Dimensions Deutsch: 33 x 46 cm cjr
   
   
     
Edgar Degas Die Baumwollfaktorei oil


Die Baumwollfaktorei
Painting ID::  88981 		Die Baumwollfaktorei
1873(1873) Medium oil on canvas Dimensions Deutsch: 74 x 92 cm cjr
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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