Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Lorenzo Pagans and Auguste de Gas oil


Lorenzo Pagans and Auguste de Gas
Painting ID::  11338
Lorenzo Pagans and Auguste de Gas
the artist's Father,ca 1871-1872 1' 9 1/2'' x 1' 3 3/4''(54.5 x 40 cm) Gift of Societe des Amis du Louvre,1933
   
   
     

Edgar Degas The Laundresses oil


The Laundresses
Painting ID::  11440
The Laundresses
1884-1886 2' 6'' x 2' 8''(76 x 81 cm)Bequest of Count Isaac de Camondo,1911
   
   
     

Edgar Degas Jeantaud Linet and Laine oil


Jeantaud Linet and Laine
Painting ID::  11441
Jeantaud Linet and Laine
March 1871 1' 3'' x 1' 6''(38 x 46 cm)Bequest of Mrs.Jeantaud,1929
   
   
     

Edgar Degas Woman with Porcelain Vase oil


Woman with Porcelain Vase
Painting ID::  11442
Woman with Porcelain Vase
1872 2' 1 1/2'' x 1' 9 1/4''(65 x 54 cm)Bequest of Count Isaac de Camondo,1911
   
   
     

Edgar Degas Jeantaud at the Mirror oil


Jeantaud at the Mirror
Painting ID::  11443
Jeantaud at the Mirror
ca 1875 2' 3 1/2'' x 2' 9''(70 x 84 cm)Bequest of Jean-Edouard Dubrujeaud,1970
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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