Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Baller oil


Baller
Painting ID::  33940
Baller
mk87 1876/77 Pastel on monotype 58x42cm Paris,Musee d'Orsay
   
   
     

Edgar Degas The Gentlemen-s Race oil


The Gentlemen-s Race
Painting ID::  33954
The Gentlemen-s Race
mk87 Before the Start 1862 Oil on canvas 49x62cm Paris,Musee d'Orsay
   
   
     

Edgar Degas Absinthe oil


Absinthe
Painting ID::  33955
Absinthe
mk87 1876 Oil on canvas 92x68cm Paris,Musee d'Orsay
mk87 1876 Oil_on_canvas 92x68cm Paris,Musee_d'Orsay
   
   
     

Edgar Degas Dance Class at hte Opera oil


Dance Class at hte Opera
Painting ID::  33956
Dance Class at hte Opera
mk87 1872 Oil on canvas 32x46cm Paris,Musee d'Orsay
mk87 1872 Oil_on_canvas 32x46cm Paris,Musee_d'Orsay
   
   
     

Edgar Degas Portrait apres un Bal costume oil


Portrait apres un Bal costume
Painting ID::  34602
Portrait apres un Bal costume
mk94 1879
mk94 1879
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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