Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas ballerina oil


ballerina
Painting ID::  49929
ballerina
mk206 1877-1879 Oil on canvas 66x51cm
mk206 1877-1879 Oil_on_canvas 66x51cm
   
   
     

Edgar Degas Bete in the cafe oil


Bete in the cafe
Painting ID::  49930
Bete in the cafe
mk206 1877-1885 Oil on canvas 22.8x20cm
mk206 1877-1885 Oil_on_canvas 22.8x20cm
   
   
     

Edgar Degas someone in the corner  of stage oil


someone in the corner of stage
Painting ID::  49931
someone in the corner of stage
mk206 1879 Oil on canvas 79x55cm
mk206 1879 Oil_on_canvas 79x55cm
   
   
     

Edgar Degas Mis Cessate in Louvre oil


Mis Cessate in Louvre
Painting ID::  49932
Mis Cessate in Louvre
mk206 about 1879 Oil on canvas 71x54cm
mk206 about_1879 Oil_on_canvas 71x54cm
   
   
     

Edgar Degas Dancer at Background oil


Dancer at Background
Painting ID::  49933
Dancer at Background
mk206 1878-1880 Oil on canvas 69.2x50.2cm
mk206 1878-1880 Oil_on_canvas 69.2x50.2cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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