Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.


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Edgar Degas Before the race oil


Before the race
Painting ID::  49939
Before the race
mk206 1882 Oil on canvas 30.5x47.6cm
mk206 1882 Oil_on_canvas 30.5x47.6cm
   
   
     

Edgar Degas dancer wearing shoes oil


dancer wearing shoes
Painting ID::  49940
dancer wearing shoes
mk206 1880-1885 Oil on canvas
mk206 1880-1885 Oil_on_canvas
   
   
     

Edgar Degas dancer wearing shoes oil


dancer wearing shoes
Painting ID::  49941
dancer wearing shoes
mk206 1882-1885 Oil on canvas
mk206 1882-1885 Oil_on_canvas
   
   
     

Edgar Degas Before the race oil


Before the race
Painting ID::  49942
Before the race
mk206 1882 Oil on canvas 26.5x34.9cm
mk206 1882 Oil_on_canvas 26.5x34.9cm
   
   
     

Edgar Degas Reinsman  before race oil


Reinsman before race
Painting ID::  49943
Reinsman before race
mk206 1878-1880 Oil on canvas 107.3x70.3cm
mk206 1878-1880 Oil_on_canvas 107.3x70.3cm
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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