Edgar Degas

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas At the Ballet oil


At the Ballet
Painting ID::  839 		At the Ballet
1872 69 x 49cm Stadelsches Kunstinstitut, Frankfurt
1872_69_x_49cm_ Stadelsches_Kunstinstitut,_Frankfurt
   
   
     
Edgar Degas Aix Ambassadeurs oil


Aix Ambassadeurs
Painting ID::  840 		Aix Ambassadeurs
1875-77 37 x 27cm Musee des Beaux Arts, Lyons
1875-77_37_x_27cm_ Musee_des_Beaux_Arts,_Lyons
   
   
     
Edgar Degas Singer With a Glove oil


Singer With a Glove
Painting ID::  841 		Singer With a Glove
1878 Pastel and liquid medium on canvas 20 3/4 x 16 in. (52.8 x 41.1 cm) Fogg Art Museum, Harvard University, Cambridge, MA
   
   
     
Edgar Degas Before the Ballet oil


Before the Ballet
Painting ID::  842 		Before the Ballet
   
   
     
Edgar Degas Halevy and Cave Backstage at the Opera oil


Halevy and Cave Backstage at the Opera
Painting ID::  843 		Halevy and Cave Backstage at the Opera
1879
1879
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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