Elioth Gruner

New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),
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Elioth Gruner Misty Landscape oil


Misty Landscape
Painting ID::  42204 		Misty Landscape
mk167 c.1920 Oil
mk167 c.1920 Oil
   
   
     
Elioth Gruner Spring Frost oil


Spring Frost
Painting ID::  75292 		Spring Frost
Spring Frost (1919, oil on canvas, 131.0 x 178.7 cm) by Elioth Gruner (1882-1939). cjr
   
   
     
Elioth Gruner Summer Morning oil


Summer Morning
Painting ID::  75376 		Summer Morning
Summer Morning (1916, oil on canvas, 30.8 x 40.6 cm) by Elioth Gruner (1882-1939). cjr
   
   
     
Elioth Gruner Tamarama Beach oil


Tamarama Beach
Painting ID::  75377 		Tamarama Beach
Tamarama Beach (1920, oil on canvas, 22.8 x 27 cm) by Elioth Gruner (1882-1939). cjr
   
   
     
Elioth Gruner Afternoon, Bondi oil


Afternoon, Bondi
Painting ID::  75378 		Afternoon, Bondi
Afternoon, Bondi (1915, oil on canvas, 25.5 x 22.7 cm) by Elioth Gruner (1882-1939). cjr
   
   
     
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     Elioth Gruner
     New Zealand-born Australian Painter, 1882-1939,Australian painter. The son of a Norwegian father and Irish mother, he came to Sydney from New Zealand with his family in 1883. He received his first art lessons from Julian Rossi Ashton, although for many years he had little time for painting, instead working to support his family. He finally achieved recognition as an artist around the beginning of World War I. Following successful sales he became a full-time painter, championed in Sydney as the exemplary heir to the impressionist pastoral tradition of Australian art, which had been established in the late 19th century. Between 1915 and 1920, under the influence of Max Meldrum, he focused on the landscape as seen against the light. Painting en plein air he specialized in effects of early morning, for example Morning Light (1916; Sydney, A.G. NSW), one of a series painted at Emu Plains (1915-19),

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