Eugene Boudin

1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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Eugene Boudin The Beach at Trouville oil


The Beach at Trouville
Painting ID::  90277 		The Beach at Trouville
1869(1869) Medium oil on panel Dimensions 22.5 x 36.5 cm (8.9 x 14.4 in) cjr
   
   
     
Eugene Boudin The Inlet at Berck oil


The Inlet at Berck
Painting ID::  91410 		The Inlet at Berck
1880(1880) Medium oil on canvas Dimensions 54.6 x 75 cm (21.5 x 29.5 in) cjr
   
   
     
Eugene Boudin Seehafen oil


Seehafen
Painting ID::  91605 		Seehafen
c. 1870 Medium oil on canvas cjr
c._1870_ Medium_oil_on_canvas _ cjr
   
   
     
Eugene Boudin The Cliff of Aval oil


The Cliff of Aval
Painting ID::  92076 		The Cliff of Aval
1890(1890) Medium oil on canvas Dimensions 79.9 X 109.9 cm (31.5 X 43.3 in) cyf
   
   
     
Eugene Boudin Banks of the Seine oil


Banks of the Seine
Painting ID::  93767 		Banks of the Seine
between 1860(1860) and 1869(1869) Medium oil on panel Dimensions 31.3 x 55.3 cm (12.3 x 21.8 in) cjr
   
   
     
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     Eugene Boudin
     1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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