Eugene Boudin

1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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Eugene Boudin The Port of Camaret oil


The Port of Camaret
Painting ID::  11301 		The Port of Camaret
1872 1' 2 1/4'' x 1' 11 1/4''(36 x 59cm) Bequest of Clement and Andree Ades, 1978
   
   
     
Eugene Boudin The Port of Le Havre(Dock of La Barre) oil


The Port of Le Havre(Dock of La Barre)
Painting ID::  11304 		The Port of Le Havre(Dock of La Barre)
1888 1' 1'' x 1' 4 1/4''(32 x 41cm) Bequest of James N.B.Hill,1978
   
   
     
Eugene Boudin Les Regates oil


Les Regates
Painting ID::  31112 		Les Regates
mk71 Bois H.0.245 L.0.325 Chateau-musee de Boulogne-sur-mer
   
   
     
Eugene Boudin Le Port a Anvers oil


Le Port a Anvers
Painting ID::  31113 		Le Port a Anvers
mk71 1871 Toile H.0.41 L.0.66 Calais,Musee des Beaux-Arts et de la Dentelle
   
   
     
Eugene Boudin Port de Trouville a maree basse oil


Port de Trouville a maree basse
Painting ID::  31114 		Port de Trouville a maree basse
mk71 Toile H.0.35 L.0.26 Musee de Cambrai
mk71 Toile H.0.35 L.0.26 Musee_de_Cambrai
   
   
     
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     Eugene Boudin
     1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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