Eugene Boudin

1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.


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Eugene Boudin krinoliner pa stranden i trouville oil


krinoliner pa stranden i trouville
Painting ID::  67750
krinoliner pa stranden i trouville
1869 se
1869 se
   
   
     

Eugene Boudin Trouville Scene de plage oil


Trouville Scene de plage
Painting ID::  69453
Trouville Scene de plage
oil on wood painting by Eugene Boudin
oil_on_wood_painting_by_Eugene_Boudin
   
   
     

Eugene Boudin Dordrecht, the Grote Kerk from the Canal oil


Dordrecht, the Grote Kerk from the Canal
Painting ID::  71921
Dordrecht, the Grote Kerk from the Canal
ca. 1874(1874) Oil on panel 35.1 x 26.4 cm (13.82 x 10.39 in)
   
   
     

Eugene Boudin Beach Scene oil


Beach Scene
Painting ID::  72943
Beach Scene
"Beach Scene," by Eugene Louis Boudin, oil on canvas. 9 3/8 in. x 14 1/2 in. Yale University Art Gallery, gift of Edward B. Greene, B.A. 1900. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     

Eugene Boudin Dordrecht the Grote Kerk from the Canal oil


Dordrecht the Grote Kerk from the Canal
Painting ID::  73212
Dordrecht the Grote Kerk from the Canal
Date ca. 1874(1874) Medium Oil on panel Dimensions 35.1 X 26.4 cm (13.82 X 10.39 in) cyf
   
   
     

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     Eugene Boudin
     1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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