Eugene Boudin

1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.


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Eugene Boudin Deauville - O rio morto oil


Deauville - O rio morto
Painting ID::  82180
Deauville - O rio morto
Date 1890 (x) Medium Oil on wood Dimensions 50.5 x 74.4 cm (19.9 x 29.3 in) cjr
   
   
     

Eugene Boudin On the Beach oil


On the Beach
Painting ID::  82959
On the Beach
1887(1887) Medium Oil on panel cyf
1887(1887) _ Medium_Oil_on_panel _ cyf
   
   
     

Eugene Boudin On the Beach oil


On the Beach
Painting ID::  83163
On the Beach
1887(1887) Medium Oil on panel cyf
1887(1887) _ Medium_Oil_on_panel _ cyf
   
   
     

Eugene Boudin Trouville, les jetees, mer haute oil


Trouville, les jetees, mer haute
Painting ID::  84433
Trouville, les jetees, mer haute
Date 1885(1885) Medium Oil on canvas Dimensions 40 x 55.4 cm (15.7 x 21.8 in) cjr
   
   
     

Eugene Boudin Deauville oil


Deauville
Painting ID::  85825
Deauville
1890 (x) Medium Oil on wood Dimensions 50.5 x 74.4 cm (19.9 x 29.3 in) cyf
   
   
     

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     Eugene Boudin
     1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.

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