Fra Bartolomeo

Italian High Renaissance Painter, 1472-1517, also known as Baccio della Porta, was an Italian Renaissance painter of religious subjects. He was born in Savignano di Prato, Tuscany. He received the nickname of Baccio della Porta for his house was near the Porta ("Gate") San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano, he apprenticed in the workshop of Cosimo Rosselli. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli. In the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence. The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500. The following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Bianco's family chapel in the Badia Fiorentina, finished in 1507.
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Fra Bartolomeo Portrat of Girolamo Savonarola oil


Portrat of Girolamo Savonarola
Painting ID::  38484 		Portrat of Girolamo Savonarola
mk137 ca. 1498 oils on wood chalkboard 47x31cm Museo di San Marco, Florence
   
   
     
Fra Bartolomeo The Anunciacion, Holy Margarita, Maria Mary magdalene, Pablo, Juan the Baptist, Jeronimo and Francisco oil


The Anunciacion, Holy Margarita, Maria Mary magdalene, Pablo, Juan the Baptist, Jeronimo and Francisco
Painting ID::  41949 		The Anunciacion, Holy Margarita, Maria Mary magdalene, Pablo, Juan the Baptist, Jeronimo and Francisco
mk166 First decadas of the century XVI.PAINTING on wood 96x77cm
   
   
     
Fra Bartolomeo The Vision of St. Bernard ca 1504 oil


The Vision of St. Bernard ca 1504
Painting ID::  58233 		The Vision of St. Bernard ca 1504
The Vision of St. Bernard ca 1504 (Uffizi).
The_Vision_of_St._Bernard_ca_1504_(Uffizi).
   
   
     
Fra Bartolomeo Scene with Christ in the Temple oil


Scene with Christ in the Temple
Painting ID::  58234 		Scene with Christ in the Temple
Scene with Christ in the Temple (1519). Kunsthistorisches Museum, Vienna.
   
   
     
Fra Bartolomeo Pieta oil


Pieta
Painting ID::  58235 		Pieta
Piet?? (1516). Palazzo Pitti, Florence.
Piet??_(1516)._Palazzo_Pitti,_Florence.
   
   
     
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     Fra Bartolomeo
     Italian High Renaissance Painter, 1472-1517, also known as Baccio della Porta, was an Italian Renaissance painter of religious subjects. He was born in Savignano di Prato, Tuscany. He received the nickname of Baccio della Porta for his house was near the Porta ("Gate") San Pier Gattolini. Starting from 1483 or 1484, by recommendation of Benedetto da Maiano, he apprenticed in the workshop of Cosimo Rosselli. In 1490 or 1491 he began a collaboration with Mariotto Albertinelli. In the late 1490s Baccio was drawn to the teachings of Fra Girolamo Savonarola, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the Bible to educate those unable to read the book. From 1498 is his famous portrait of Savonarola, now in the Museo Nazionale di San Marco in Florence. The following year he was commissioned a fresco of the Universal Judgement for the Ospedale di Santa Maria Nuova, completed by Albertinelli and Giuliano Bugiardini when Baccio became a Dominican friar on July 26, 1500. The following year he entered the convent of San Marco. He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a Vision of St. Bernard for Bernardo Bianco's family chapel in the Badia Fiorentina, finished in 1507.

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