Francesco Hayez

1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.


       Prev  13  14  15  16  17  18  19  20  21  22   Next
  Prev Artist       Next Artist     

   
    

Francesco Hayez The Two Foscari oil


The Two Foscari
Painting ID::  80812
The Two Foscari
ca. 1852(1852) Medium Oil on canvas cyf
ca._1852(1852) _ Medium_Oil_on_canvas _ cyf
   
   
     

Francesco Hayez Portrat der Antonietta Negroni Prati Morosini als Kind oil


Portrat der Antonietta Negroni Prati Morosini als Kind
Painting ID::  82041
Portrat der Antonietta Negroni Prati Morosini als Kind
1858(1858) Medium Oil on canvas Dimensions Deutsch: 128 x 110 cm cyf
   
   
     

Francesco Hayez Flowers oil


Flowers
Painting ID::  82261
Flowers
Oil on canvas Dimensions Height: 124 cm (48.8 in). Width: 95 cm (37.4 in). cyf
   
   
     

Francesco Hayez Trivulzio oil


Trivulzio
Painting ID::  84364
Trivulzio
1832(1832) Medium Oil on canvas Dimensions Deutsch: 136 x 101 cm cyf
   
   
     

Francesco Hayez Badende oil


Badende
Painting ID::  84743
Badende
Date 1832(1832) Medium Oil on canvas Dimensions Deutsch: 63 x 56 cm cjr
   
   
     

       Prev  13  14  15  16  17  18  19  20  21  22   Next
Prev Artist       Next Artist     

     Francesco Hayez
     1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings