Francisco Goya

1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
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Francisco Goya saturnus slular sina barn oil


saturnus slular sina barn
Painting ID::  56594 		saturnus slular sina barn
mk248 ar1819 drog sig goya tillbaka till en isolerad lantgard utanfor madrid dar ban tackte vaggarna med sina sa kallade svarta malningar, ett plagat genis sista ocb morkaste verk, saturnus ar en av de mest obuggliga bilder som nagonsin maats ocb skildrar onamnbara dad som barnamord ocb lannibalism. men goyas son favier sade att bans far fick ro i sinnet nar ban uttryckte sin fruktan i malningar som ban kunde se dagligen.
   
   
     
Francisco Goya karl iv med sin familj oil


karl iv med sin familj
Painting ID::  56595 		karl iv med sin familj
mk248 detta grupportratt, som tydligt bar inspirerats av velazquez, avbildar en monsterfamilj om an langtifran vacker fran upplysningstiden. bagaren ocb bans familj efter att ba vunnit pa lottei,som kritikern gautier senare beskrev bilden, var definitivt inte sa som goya bade tankt portattera kara larl iv ocb bans drottning maria lovisa. som bovmalare maste ban formedla sina asilter betydligt mer subtilt, varfor ban bar placerat sig salv prudentligt i skuggan, en vink om att ban kanner till sanningen i detalj.
   
   
     
Francisco Goya naked maja oil


naked maja
Painting ID::  56937 		naked maja
mk247 1800,oil on canvas,38.25x74.75 in,97x190 cm,museo del prado,madrid,spain
   
   
     
Francisco Goya clothed maja oil


clothed maja
Painting ID::  56938 		clothed maja
mk247 c.1805,oil on canvas,37.375x74.75 in,95x190 cm,museo del prado,madrid,spain
   
   
     
Francisco Goya The Third of May 1808 oil


The Third of May 1808
Painting ID::  59136 		The Third of May 1808
The Third of May 1808, 1814. Oil on canvas, 266 ?? 345 cm. Museo del Prado, Madrid.
   
   
     
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     Francisco Goya
     1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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