Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Ritratto della contessa di Chincon oil


Ritratto della contessa di Chincon
Painting ID::  76424 		Ritratto della contessa di Chincon
ca. 1800(1800) Oil on canvas 140 cm (55.1 in). Height: 220 cm (86.6 in). cjr
   
   
     
Francisco de Goya Portrait of Jose Monino, 1st Count of Floridablanca and Francisco de Goya oil


Portrait of Jose Monino, 1st Count of Floridablanca and Francisco de Goya
Painting ID::  76440 		Portrait of Jose Monino, 1st Count of Floridablanca and Francisco de Goya
1783(1783) Oil on canvas cjr
1783(1783) _ _Oil_on_canvas _ cjr
   
   
     
Francisco de Goya Portrat des Pepito Costa y Bonelis oil


Portrat des Pepito Costa y Bonelis
Painting ID::  76476 		Portrat des Pepito Costa y Bonelis
ca. 1813(1813) Oil on canvas 105 ?? 88.5 cm (41.3 ?? 34.8 in) cjr
   
   
     
Francisco de Goya Portrat der Narcisa Baranana de Goicoechea oil


Portrat der Narcisa Baranana de Goicoechea
Painting ID::  76512 		Portrat der Narcisa Baranana de Goicoechea
Oil on canvas Dimensions Deutsch: 112,5 ?? 78 cm cyf
Oil_on_canvas _ Dimensions_Deutsch:_112,5_??_78_cm_ cyf
   
   
     
Francisco de Goya Charles IV in his Hunting Clothes oil


Charles IV in his Hunting Clothes
Painting ID::  76535 		Charles IV in his Hunting Clothes
1799(1799) Oil on canvas 210 ?? 130 cm (82.7 ?? 51.2 in) cjr
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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