Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Luis de Etruria yerno de Carlos IV, boceto preparatorio para La familia de Carlos IV oil


Luis de Etruria yerno de Carlos IV, boceto preparatorio para La familia de Carlos IV
Painting ID::  76667 		Luis de Etruria yerno de Carlos IV, boceto preparatorio para La familia de Carlos IV
1800(1800) Oil on canvas cjr
1800(1800) _ Oil_on_canvas _ cjr
   
   
     
Francisco de Goya Portrait of the painter Francisco Bayeu oil


Portrait of the painter Francisco Bayeu
Painting ID::  76678 		Portrait of the painter Francisco Bayeu
1795(1795) Oil on canvas 112 ?? 84 cm (44.09 ?? 33.07 in) cjr
   
   
     
Francisco de Goya Portrait of Josefa Bayeu y Subias wife of painter Goya oil


Portrait of Josefa Bayeu y Subias wife of painter Goya
Painting ID::  76686 		Portrait of Josefa Bayeu y Subias wife of painter Goya
1795-1796 Oil on canvas 81 ?? 56 cm (31.9 ?? 22 in) cjr
   
   
     
Francisco de Goya Portrat des Juan Antonio Llorente oil


Portrat des Juan Antonio Llorente
Painting ID::  76699 		Portrat des Juan Antonio Llorente
1810-1811 Oil on canvas 189 ?? 114.5 cm (74.4 ?? 45.1 in) cjr
   
   
     
Francisco de Goya Portrait of the Countess of Chinchon oil


Portrait of the Countess of Chinchon
Painting ID::  76705 		Portrait of the Countess of Chinchon
1801(1801) Oil on canvas 220 ?? 140 cm (86.6 ?? 55.1 in) cjr
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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