Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.


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Francisco de Goya Portrait of don Bernardo de Iriarte oil


Portrait of don Bernardo de Iriarte
Painting ID::  78973
Portrait of don Bernardo de Iriarte
1797(1797) Medium Oil on canvas cyf
1797(1797) _ Medium_Oil_on_canvas _ cyf
   
   
     

Francisco de Goya Portrait of Ventura Rodriguez oil


Portrait of Ventura Rodriguez
Painting ID::  79079
Portrait of Ventura Rodriguez
1784(1784) Medium Oil on canvas Dimensions 107 x 81 cm (42.1 x 31.9 in) cyf
   
   
     

Francisco de Goya wife of painter Goya oil


wife of painter Goya
Painting ID::  79133
wife of painter Goya
1795-1796 Medium Oil on canvas Dimensions 81 x 56 cm (31.9 x 22 in) cyf
   
   
     

Francisco de Goya 1st Count of Floridablanca oil


1st Count of Floridablanca
Painting ID::  79278
1st Count of Floridablanca
1783(1783) Medium Oil on canvas cyf
1783(1783) _ Medium_Oil_on_canvas _ cyf
   
   
     

Francisco de Goya The Family of the Duke of Osuna oil


The Family of the Duke of Osuna
Painting ID::  79288
The Family of the Duke of Osuna
1788(1788) Medium Oil on canvas Dimensions 225 x 174 cm (88.6 x 68.5 in) cyf
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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