Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Der Schleifer oil


Der Schleifer
Painting ID::  84400 		Der Schleifer
Date ca. 1790(1790) Medium Oil on canvas Dimensions 68 x 50 cm cjr
   
   
     
Francisco de Goya Selbstportrat des Kenstlers oil


Selbstportrat des Kenstlers
Painting ID::  84437 		Selbstportrat des Kenstlers
Medium Oil on canvas cyf
Medium_Oil_on_canvas _cyf
   
   
     
Francisco de Goya Wanderkomodianten oil


Wanderkomodianten
Painting ID::  84479 		Wanderkomodianten
Date 1793(1793) Medium Oil on canvas Dimensions Deutsch: 43 x 32 cm cjr
   
   
     
Francisco de Goya Queen of Spain Maria Louisa, nee Bourbon-Parma. oil


Queen of Spain Maria Louisa, nee Bourbon-Parma.
Painting ID::  84719 		Queen of Spain Maria Louisa, nee Bourbon-Parma.
around 1789 Medium English: Oil on canvas Dimensions 126.6 x 93 cm (49.8 x 36.6 in) cjr
   
   
     
Francisco de Goya General Jose de Urrutia y de las Casas oil


General Jose de Urrutia y de las Casas
Painting ID::  84912 		General Jose de Urrutia y de las Casas
Date 1798(1798) Medium Oil on canvas Dimensions 200 x 135 cm (78.7 x 53.1 in) cjr
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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