Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl oil


Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl
Painting ID::  85102 		Entwurfe fur die Wandteppiche zur Ausschmuckung der Konigl
c. 1791 Medium Oil on canvas Dimensions Deutsch: 34 x 15 cm cjr
   
   
     
Francisco de Goya Tribunal de la Inquisicion o Auto de fe de la Inquisicion oil


Tribunal de la Inquisicion o Auto de fe de la Inquisicion
Painting ID::  85299 		Tribunal de la Inquisicion o Auto de fe de la Inquisicion
Date 1812-1819 Medium Oil on panel Dimensions 46 x 73 cm cjr
   
   
     
Francisco de Goya Portrat des Juan Bautista de Muguiro oil


Portrat des Juan Bautista de Muguiro
Painting ID::  85520 		Portrat des Juan Bautista de Muguiro
Date 1827(1827) Medium Oil on canvas Dimensions Deutsch: 102,5 x 84,5 cm cjr
   
   
     
Francisco de Goya The Third of May 1808 in Madrid oil


The Third of May 1808 in Madrid
Painting ID::  85524 		The Third of May 1808 in Madrid
Date 1814(1814) Medium Oil on canvas cjr
Date_1814(1814) _ Medium_Oil_on_canvas _ cjr
   
   
     
Francisco de Goya Portrat der Familie Karls IV., Detail oil


Portrat der Familie Karls IV., Detail
Painting ID::  85528 		Portrat der Familie Karls IV., Detail
Date 1800-1801 Medium Oil on canvas cjr
Date_1800-1801 _ Medium_Oil_on_canvas _ cjr
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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