Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.


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Francisco de Goya Water Carrier oil


Water Carrier
Painting ID::  85939
Water Carrier
Oil on canvas Dimensions 68 x 52 cm (26.8 x 20.5 in) cyf
   
   
     

Francisco de Goya Majas on a Balcony oil


Majas on a Balcony
Painting ID::  86230
Majas on a Balcony
Oil on canvas Dimensions Deutsch: 195 x 125,5 cm cyf
Oil_on_canvas_ Dimensions_Deutsch:_195__x__125,5_cm_ cyf
   
   
     

Francisco de Goya Majas on a Balcony oil


Majas on a Balcony
Painting ID::  86289
Majas on a Balcony
1808-1812 Medium Oil on canvas cyf
1808-1812 _ Medium_Oil_on_canvas _ cyf
   
   
     

Francisco de Goya The Parasol oil


The Parasol
Painting ID::  86292
The Parasol
1776-1778 Medium oil on linen / x leo sobre tela Dimensions 104 x 152 cm (40.9 x 59.8 in) cyf
   
   
     

Francisco de Goya Portrat der Dona Teresa Sureda oil


Portrat der Dona Teresa Sureda
Painting ID::  86386
Portrat der Dona Teresa Sureda
Date 1804-1806 Medium Oil on canvas Dimensions 120 x 79,5 cm cjr
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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