Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Witches Sabbath oil


Witches Sabbath
Painting ID::  91648 		Witches Sabbath
between 1820(1820) and 1823(1823) Medium Oil on plaster mounted on canvas cyf
   
   
     
Francisco de Goya Atropos oil


Atropos
Painting ID::  91649 		Atropos
between 1821(1821) and 1823(1823) Medium Oil on plaster mounted on canvas Dimensions Height: 123 cm (48.4 in). Width: 266 cm (104.7 in). cyf
   
   
     
Francisco de Goya La ultima comunien de san Jose de Calasanz oil


La ultima comunien de san Jose de Calasanz
Painting ID::  91991 		La ultima comunien de san Jose de Calasanz
1819(1819) Medium oil on canvas Dimensions 250 x 180 cm. cyf
   
   
     
Francisco de Goya Portrat des Don Sebastian Gabriel de Borbon y Braganza oil


Portrat des Don Sebastian Gabriel de Borbon y Braganza
Painting ID::  92298 		Portrat des Don Sebastian Gabriel de Borbon y Braganza
1822(1822) Medium oil on canvas Dimensions Deutsch: 144 X 105 cm cyf
   
   
     
Francisco de Goya Geiblerprozession oil


Geiblerprozession
Painting ID::  92311 		Geiblerprozession
1812-1814 Medium oil on canvas Dimensions 46 X 73 cm cyf
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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