Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.


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Francisco de Goya Don Andres del Peral oil


Don Andres del Peral
Painting ID::  43279
Don Andres del Peral
mk170 1795-1798 Oil on poplar 95x65.7cm
mk170 1795-1798 Oil_on_poplar 95x65.7cm
   
   
     

Francisco de Goya Dona Isabel de Porcel oil


Dona Isabel de Porcel
Painting ID::  43280
Dona Isabel de Porcel
mk170 1800-1805 Oil on canvas 82x54.6cm
mk170 1800-1805 Oil_on_canvas 82x54.6cm
   
   
     

Francisco de Goya Style life with lamb head oil


Style life with lamb head
Painting ID::  45526
Style life with lamb head
mk186 around 1808-12 Paris muse you Louvre
mk186 around_1808-12_Paris_muse_you_Louvre
   
   
     

Francisco de Goya General Palafox oil


General Palafox
Painting ID::  45855
General Palafox
mk178 1814 oils on linen 248x224cm
mk178_ 1814_oils_on_linen_248x224cm
   
   
     

Francisco de Goya Blomsterforsaljerskan,omkring oil


Blomsterforsaljerskan,omkring
Painting ID::  49490
Blomsterforsaljerskan,omkring
mk198 1786 277x192cm beskuren Prado,Madrid
mk198 1786_ 277x192cm_ beskuren_Prado,Madrid
   
   
     

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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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