Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Bildnis eines Mannes oil


Bildnis eines Mannes
Painting ID::  88834 		Bildnis eines Mannes
1627(1627) Medium Oil on copper cyf
1627(1627) _ Medium_Oil_on_copper _ cyf
   
   
     
Frans Hals Gruppenportrat der Regenten des Altmannerhospitzes in Haarlem oil


Gruppenportrat der Regenten des Altmannerhospitzes in Haarlem
Painting ID::  88968 		Gruppenportrat der Regenten des Altmannerhospitzes in Haarlem
1664(1664) Medium oil on canvas Dimensions Deutsch: 172,5 x 256 cm cjr
   
   
     
Frans Hals Singing Boy with Flute oil


Singing Boy with Flute
Painting ID::  89177 		Singing Boy with Flute
c. 1623(1623) Medium oil on canvas Dimensions Height: 68.8 cm (27.1 in). Width: 55.2 cm (21.7 in). cjr
   
   
     
Frans Hals Portrait of Jean de la Chambre oil


Portrait of Jean de la Chambre
Painting ID::  89533 		Portrait of Jean de la Chambre
1638(1638) Medium oil on panel cyf
1638(1638) _ Medium_oil_on_panel _ cyf
   
   
     
Frans Hals Portrait of a woman oil


Portrait of a woman
Painting ID::  89539 		Portrait of a woman
between 1630(1630) and 1633(1633) Medium oil on canvas cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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