Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  89540 		Portrait of a Man
between 1630(1630) and 1633(1633) Medium oil on canvas cyf
   
   
     
Frans Hals Portrait of a Standing Man oil


Portrait of a Standing Man
Painting ID::  90066 		Portrait of a Standing Man
between 1643(1643) and 1645(1645) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 86.1 cm (33.9 in). cyf
   
   
     
Frans Hals Portrait of Frans Jansz. Post oil


Portrait of Frans Jansz. Post
Painting ID::  90095 		Portrait of Frans Jansz. Post
c. 1655(1655) Medium oil on canvas Dimensions 27.5 x 23 cm (10.8 x 9.1 in) cjr
   
   
     
Frans Hals Portrait of woman with gloves oil


Portrait of woman with gloves
Painting ID::  90177 		Portrait of woman with gloves
1650(1650) Medium oil on canvas Dimensions 102.3 x 81.3 cm (40.3 x 32 in) cyf
   
   
     
Frans Hals Portrait of a Seated Woman Holding a Fan oil


Portrait of a Seated Woman Holding a Fan
Painting ID::  90428 		Portrait of a Seated Woman Holding a Fan
between 1648(1648) and 1650(1650) Medium oil on canvas Dimensions Height: 109.5 cm (43.1 in). Width: 82.5 cm (32.5 in). cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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