Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of Isaac Abrahamsz. Massa oil


Portrait of Isaac Abrahamsz. Massa
Painting ID::  92189 		Portrait of Isaac Abrahamsz. Massa
1635(1635) Medium oil on canvas Dimensions Height: 20.3 cm (8 in). Width: 18.6 cm (7.3 in). cyf
   
   
     
Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem oil


Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
Painting ID::  92290 		Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
1664(1664) Medium oil on canvas Dimensions Deutsch: 170 X 249,5 cm cyf
   
   
     
Frans Hals Portrait of a Standing Woman oil


Portrait of a Standing Woman
Painting ID::  92421 		Portrait of a Standing Woman
between 1643(1643) and 1645(1645) Medium oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 85.8 cm (33.8 in). cjr
   
   
     
Frans Hals The Fisher Boy. oil


The Fisher Boy.
Painting ID::  92424 		The Fisher Boy.
between 1630(1630) and 1632(1632) Medium oil on canvas Dimensions Height: 74 cm (29.1 in). Width: 61 cm (24 in). cjr
   
   
     
Frans Hals Portrait of a Man. oil


Portrait of a Man.
Painting ID::  92476 		Portrait of a Man.
between 1660(1660) and 1666(1666) Medium oil on canvas Dimensions Height: 85.8 cm (33.8 in). Width: 66.9 cm (26.3 in). cjr
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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