Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Boy with a Lute oil


Boy with a Lute
Painting ID::  92481 		Boy with a Lute
c. 1625(1625) Medium oil on canvas Dimensions 72.1 X 59.1 cm (28.4 X 23.3 in) cjr
   
   
     
Frans Hals Meeting of the officers of the Kloveniersschutterij in Haarlem. oil


Meeting of the officers of the Kloveniersschutterij in Haarlem.
Painting ID::  92686 		Meeting of the officers of the Kloveniersschutterij in Haarlem.
1633(1633) Oil on canvas Dimensions 207 X 337 cm cjr
   
   
     
Frans Hals St Matthew. oil


St Matthew.
Painting ID::  92799 		St Matthew.
c. 1625(1625) Medium oil on canvas Dimensions Height: 70 cm (27.6 in). Width: 55 cm (21.7 in). cjr
   
   
     
Frans Hals Feyna van Steenkiste Wife of Lucas de Clercq oil


Feyna van Steenkiste Wife of Lucas de Clercq
Painting ID::  92806 		Feyna van Steenkiste Wife of Lucas de Clercq
1635 Medium oil on canvas Dimensions 123 X 93 cm (48.4 X 36.6 in) cjr
   
   
     
Frans Hals Portrait of a Man. oil


Portrait of a Man.
Painting ID::  92808 		Portrait of a Man.
1622(1622) Medium oil on canvas mounted on panel Dimensions 107 X 85 cm (42.1 X 33.5 in) cjr
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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