Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Young man with a skull oil


Young man with a skull
Painting ID::  33673
Young man with a skull
mk86 c.1626 Oil on canvas 92x81cm London,National Gallery
   
   
     

Frans Hals The Merry Drinker oil


The Merry Drinker
Painting ID::  33674
The Merry Drinker
mk86 1628 Oil on canvas 81x66.5cm Amsterdam,Rijksmuseum
   
   
     

Frans Hals The Gypsy Girl oil


The Gypsy Girl
Painting ID::  33675
The Gypsy Girl
mk86 c.1628-1630 Oil on panel 58x52cm Paris,Musee National du Louvre
   
   
     

Frans Hals Portrait of Willem van Heythuysen oil


Portrait of Willem van Heythuysen
Painting ID::  33676
Portrait of Willem van Heythuysen
mk86 c.1625-1630 Oil on canvas 204.5x134.5cm Munich,Bayerisch Staatsgemalde-sammlungen, Alte Pinakothek
   
   
     

Frans Hals Regentsses of the Old Men's Almoshouse in Haarlem oil


Regentsses of the Old Men's Almoshouse in Haarlem
Painting ID::  33677
Regentsses of the Old Men's Almoshouse in Haarlem
mk86 1664 Oil on canvas 170.5x249.5cm Haarlem,Frans-Hals-Museum
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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