Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals A Family Group in a Landscape oil


A Family Group in a Landscape
Painting ID::  1512
A Family Group in a Landscape
1630-35 National Gallery, London
1630-35_ National_Gallery,_London
   
   
     

Frans Hals Portrait of Willem (Balthasar) Coymans oil


Portrait of Willem (Balthasar) Coymans
Painting ID::  1513
Portrait of Willem (Balthasar) Coymans
1645 National Gallery of Art, Washington DC
1645_ National_Gallery_of_Art,_Washington_DC
   
   
     

Frans Hals The Gypsy Girl oil


The Gypsy Girl
Painting ID::  1514
The Gypsy Girl
1628-30 Musee du Louvre, Paris
1628-30_ Musee_du_Louvre,_Paris
   
   
     

Frans Hals Jester with a Lute oil


Jester with a Lute
Painting ID::  1515
Jester with a Lute
1620-25 Musee du Louvre, Paris
1620-25_ Musee_du_Louvre,_Paris
   
   
     

Frans Hals Andries van der Horn oil


Andries van der Horn
Painting ID::  1516
Andries van der Horn
1638 Museum of Art, Sao Paolo
1638_ Museum_of_Art,_Sao_Paolo
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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