Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Gypsy Girl (mk05) oil


Gypsy Girl (mk05)
Painting ID::  20395 		Gypsy Girl (mk05)
Wood,23 x 20 1/2''(58 x 52 cm)Bequest of Dr.Louis La Caze,1869
   
   
     
Frans Hals Two Singing Boys (mk08) oil


Two Singing Boys (mk08)
Painting ID::  21690 		Two Singing Boys (mk08)
1626 Oil on canvas 62x54.5cm Cassel,Staatliche Kunstsammlungen
   
   
     
Frans Hals Banquet of the Officers of the St George Civic Guard in Haarlem (mk08) oil


Banquet of the Officers of the St George Civic Guard in Haarlem (mk08)
Painting ID::  21705 		Banquet of the Officers of the St George Civic Guard in Haarlem (mk08)
1616 Oil on canvas, 175x324cm Haarlem,Frans-Hals-Museum
1616 Oil_on_canvas, 175x324cm Haarlem,Frans-Hals-Museum
   
   
     
Frans Hals Young Man with a Skull (mk08) oil


Young Man with a Skull (mk08)
Painting ID::  21706 		Young Man with a Skull (mk08)
c.1626 Oil on canvas 92x81cm London,National Gallery
c.1626 Oil_on_canvas 92x81cm London,National_Gallery
   
   
     
Frans Hals The Merry Drinker (mk08) oil


The Merry Drinker (mk08)
Painting ID::  21707 		The Merry Drinker (mk08)
Oil on canvas. 81x66.5cm Amsterdam,Rijksmuseum
Oil_on_canvas. 81x66.5cm Amsterdam,Rijksmuseum
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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