Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Banquet of the Officers of the St George Civic Guard WGA oil


Banquet of the Officers of the St George Civic Guard WGA
Painting ID::  59197
Banquet of the Officers of the St George Civic Guard WGA
Banquet of the Officers of the St George Civic Guard WGA
Banquet_of_the_Officers_of_the_St_George_Civic_Guard_WGA
   
   
     

Frans Hals Catharina Hooft with her Nurse WGA oil


Catharina Hooft with her Nurse WGA
Painting ID::  59198
Catharina Hooft with her Nurse WGA
Catharina Hooft with her Nurse WGA
Catharina_Hooft_with_her_Nurse_WGA
   
   
     

Frans Hals Family Portrait in a Landscape WGA oil


Family Portrait in a Landscape WGA
Painting ID::  59199
Family Portrait in a Landscape WGA
Family Portrait in a Landscape WGA
Family_Portrait_in_a_Landscape_WGA
   
   
     

Frans Hals Group of Children WGA oil


Group of Children WGA
Painting ID::  59200
Group of Children WGA
Group of Children WGA
Group_of_Children_WGA
   
   
     

Frans Hals Hals Frans Portrait Of A Man oil


Hals Frans Portrait Of A Man
Painting ID::  59201
Hals Frans Portrait Of A Man
Hals Frans Portrait Of A Man
Hals_Frans_Portrait_Of_A_Man
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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