Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals mansportratt oil


mansportratt
Painting ID::  70807
mansportratt
olja pa duk 66.5x78.5cm 1639-50 se
olja_pa_duk_66.5x78.5cm 1639-50 se
   
   
     

Frans Hals mansportratt oil


mansportratt
Painting ID::  70808
mansportratt
olja pa duk 78.7x107.5cm 1947 se
olja_pa_duk_78.7x107.5cm 1947 se
   
   
     

Frans Hals Portrait of a woman oil


Portrait of a woman
Painting ID::  71926
Portrait of a woman
1644 Oil on canvas 75.9 x 62.5 cm (29.88 x 24.61 in)
   
   
     

Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  72204
Portrait of a Man
between 1612(1612) and 1616(1616) Oil on canvas 73.7 X 55.2 cm (29.02 X 21.73 in) cjr
   
   
     

Frans Hals Marriage Portrait of Isaac Massa en Beatrix van der Laen oil


Marriage Portrait of Isaac Massa en Beatrix van der Laen
Painting ID::  73053
Marriage Portrait of Isaac Massa en Beatrix van der Laen
Date ca. 1622(1622) (1621-1623) Medium Oil on canvas Dimensions 140 X 166.5 cm (55.12 X 65.55 in) cyf
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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