Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals An Old Lady oil


An Old Lady
Painting ID::  73100 		An Old Lady
"An Old Lady," oil on canvas, by the Dutch artist Frans Hals. 29 in. x 23 1/4 in. Yale University Art Gallery, Gift of Mrs. Lynde Selden. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Frans Hals De Heer Bodolphe oil


De Heer Bodolphe
Painting ID::  73101 		De Heer Bodolphe
"De Heer Bodolphe," oil on canvas, by the Dutch artist Frans Hals. 48 3/16 in. x 38 3/8 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Frans Hals Portrait of a woman oil


Portrait of a woman
Painting ID::  73317 		Portrait of a woman
Date 1644 Medium Oil on canvas Dimensions 75.9 X 62.5 cm (29.88 X 24.61 in) cyf
   
   
     
Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  73319 		Portrait of a Man
Date between 1612(1612) and 1616(1616) Medium Oil on canvas Dimensions 73.7 X 55.2 cm (29.02 X 21.73 in) cyf
   
   
     
Frans Hals Joseph Coymans oil


Joseph Coymans
Painting ID::  74012 		Joseph Coymans
Date 1644(1644) Medium Oil on canvas cyf
Date_1644(1644) _ Medium_Oil_on_canvas _ cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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