Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portret van Frans Hals oil


Portret van Frans Hals
Painting ID::  77097 		Portret van Frans Hals
1650s Oil on panel 32.7 ?? 27.9 cm (12.9 ?? 11 in) cjr
   
   
     
Frans Hals Bildnis eines jungen Mannes in gelbbraunem Rock. oil


Bildnis eines jungen Mannes in gelbbraunem Rock.
Painting ID::  77197 		Bildnis eines jungen Mannes in gelbbraunem Rock.
ca. 1635(1635) Oil on oak panel 24.5 ?? 19.5 cm (9.6 ?? 7.7 in) cjr
   
   
     
Frans Hals Portrait of Catharina Both van der Eem oil


Portrait of Catharina Both van der Eem
Painting ID::  77958 		Portrait of Catharina Both van der Eem
ca. 1620(1620) Medium Oil on canvas Dimensions 139 x 102 cm (54.7 x 40.2 in) cyf
   
   
     
Frans Hals Fisher Boy oil


Fisher Boy
Painting ID::  78082 		Fisher Boy
1630-1632 Oil on canvas 72 x 58 cm cjr
1630-1632 _ Oil_on_canvas _ 72_x_58_cm _ cjr
   
   
     
Frans Hals Portrait of a Man Holding a Skull oil


Portrait of a Man Holding a Skull
Painting ID::  78171 		Portrait of a Man Holding a Skull
Date ca. 1611(1611) (1610-1614) Medium Oil on panel Dimensions 94 x 72.5 cm (37 x 28.5 in) cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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