Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Bildnis eines jungen Mannes in gelbbraunem Rock oil


Bildnis eines jungen Mannes in gelbbraunem Rock
Painting ID::  80664
Bildnis eines jungen Mannes in gelbbraunem Rock
ca. 1635(1635) Medium Oil on oak panel Dimensions 24.5 x 19.5 cm (9.6 x 7.7 in) cyf
   
   
     

Frans Hals Portrait of a Bearded Man with a Ruff oil


Portrait of a Bearded Man with a Ruff
Painting ID::  81236
Portrait of a Bearded Man with a Ruff
1625, 30 x 25 in. (76.2 x 63.5 cm) The Metropolitan Museum of Art Date 1625(1625) cyf
   
   
     

Frans Hals Boy Playing a Violin. oil


Boy Playing a Violin.
Painting ID::  81921
Boy Playing a Violin.
Date between 1625(1625) and 1630(1630) Medium Oil on panel Dimensions Height: 18.4 cm (7.2 in). Width: 18.8 cm (7.4 in). cjr
   
   
     

Frans Hals Portrait of an unknown family oil


Portrait of an unknown family
Painting ID::  83087
Portrait of an unknown family
1620(1620), 1628 Medium Oil on canvas Dimensions 151 x 163.6 cm (59.4 x 64.4 in) cyf
   
   
     

Frans Hals Willem Croes oil


Willem Croes
Painting ID::  83096
Willem Croes
Date between 1662(1662) and 1666(1666) Medium Oil on wood cjr
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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