Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of Jean de la Chambre. oil


Portrait of Jean de la Chambre.
Painting ID::  85326 		Portrait of Jean de la Chambre.
Date 1638(1638) Medium Oil on panel Dimensions Height: 20.6 cm (8.1 in). Width: 16.8 cm (6.6 in). cjr
   
   
     
Frans Hals Portrait of a woman oil


Portrait of a woman
Painting ID::  85332 		Portrait of a woman
Date between 1630(1630) and 1633(1633) Medium Oil on canvas Dimensions Height: 75 cm (29.5 in). Width: 58 cm (22.8 in). cjr
   
   
     
Frans Hals Portrait of a Man oil


Portrait of a Man
Painting ID::  85335 		Portrait of a Man
Date between 1630(1630) and 1633(1633) Medium Oil on canvas Dimensions Height: 75 cm (29.5 in). Width: 58 cm (22.8 in). cjr
   
   
     
Frans Hals Youth with skull by Frans Hals oil


Youth with skull by Frans Hals
Painting ID::  85384 		Youth with skull by Frans Hals
1626-8, Oil on canvas, 92.2 x 80.8 cm cjr
1626-8,_Oil_on_canvas,_92.2_x_80.8_cm cjr
   
   
     
Frans Hals Portrait of Tyman Oosdorp oil


Portrait of Tyman Oosdorp
Painting ID::  85548 		Portrait of Tyman Oosdorp
Date 1656(1656) Medium Oil on canvas Dimensions Height: 89 cm (35 in). Width: 70 cm (27.6 in). cjr
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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