Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals Portrait of a Standing Man oil


Portrait of a Standing Man
Painting ID::  85933
Portrait of a Standing Man
Date between 1643(1643) and 1645(1645) Medium Oil on canvas Dimensions Height: 115 cm (45.3 in). Width: 86.1 cm (33.9 in). cjr
   
   
     

Frans Hals Der Mulatte oil


Der Mulatte
Painting ID::  85982
Der Mulatte
Oil on canvas, Dimension=75,5 x 63,5 cm cjr
Oil_on_canvas,_Dimension=75,5_x_63,5_cm cjr
   
   
     

Frans Hals Portrait of woman with gloves. oil


Portrait of woman with gloves.
Painting ID::  86140
Portrait of woman with gloves.
Date c. 1650(1650) Medium Oil on canvas Dimensions 102.3 x 81.3 cm (40.3 x 32 in) cjr
   
   
     

Frans Hals Portrait of a Man. oil


Portrait of a Man.
Painting ID::  86468
Portrait of a Man.
Date 1630(1630) Medium Oil on canvas Dimensions Height: 116.1 cm (45.7 in). Width: 90.1 cm (35.5 in). cjr
   
   
     

Frans Hals Portrait of Rene Descartes oil


Portrait of Rene Descartes
Painting ID::  86821
Portrait of Rene Descartes
1649(1649) Medium Oil on panel cyf
1649(1649) _ Medium_Oil_on_panel _ cyf
   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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