Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem oil


Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
Painting ID::  87549 		Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
Date 1664(1664) Medium Oil on canvas Dimensions Deutsch: 170 x 249,5 cm cjr
   
   
     
Frans Hals Samuel Ampzing oil


Samuel Ampzing
Painting ID::  87676 		Samuel Ampzing
oil on copper 16.2 x 12.3 cm cyf
oil_on_copper_ 16.2_x_12.3_cm_ cyf
   
   
     
Frans Hals The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz oil


The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz
Painting ID::  87749 		The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz
Date 1633-1637 Medium Oil on canvas Dimensions Height: 209 cm (82.3 in). Width: 429 cm (168.9 in). cjr
   
   
     
Frans Hals Portrait of Isaac Abrahamsz. Massa. oil


Portrait of Isaac Abrahamsz. Massa.
Painting ID::  88042 		Portrait of Isaac Abrahamsz. Massa.
1626(1626) Medium Oil on canvas Dimensions 79.7 x 65.1 cm (31.4 x 25.6 in) cjr
   
   
     
Frans Hals Boy holding a Flute oil


Boy holding a Flute
Painting ID::  88105 		Boy holding a Flute
between 1626(1626) and 1628(1628) Medium Oil on circular panel cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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