Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.


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Frans Hals The Gypsy Girl (mk08) oil


The Gypsy Girl (mk08)
Painting ID::  21708
The Gypsy Girl (mk08)
c.1628-1630 Oil on canvas 58x52cm Paris,Musee National du Louvre
   
   
     

Frans Hals Portrait of Willem van Heythuysen (mk08) oil


Portrait of Willem van Heythuysen (mk08)
Painting ID::  21709
Portrait of Willem van Heythuysen (mk08)
c.1325-1630 Oil on canvas. 204.5x134.5cm Munich,Bayerische Staatsgemalde-sammlungen, Alte Pinakothek
   
   
     

Frans Hals Regentesses of the Old Men's Almshouse in Haarlem (mk08) oil


Regentesses of the Old Men's Almshouse in Haarlem (mk08)
Painting ID::  21710
Regentesses of the Old Men's Almshouse in Haarlem (mk08)
1664 Oil on canvas 170.5x249.5cm Haarlem,Frans-Hals-Museum
   
   
     

Frans Hals Merry Company (mk08) oil


Merry Company (mk08)
Painting ID::  21711
Merry Company (mk08)
Oil on panel, 45x67.5cm Private Collection
Oil_on_panel, 45x67.5cm Private_Collection
   
   
     

Frans Hals Details of Isaak Abrahamsz Massa and Beatrix van der Lean (mk45) oil


Details of Isaak Abrahamsz Massa and Beatrix van der Lean (mk45)
Painting ID::  25917
Details of Isaak Abrahamsz Massa and Beatrix van der Lean (mk45)

   
   
     

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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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