Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.


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Frederic E.Church Mount Katahdin from Millinocket Camp oil


Mount Katahdin from Millinocket Camp
Painting ID::  26265
Mount Katahdin from Millinocket Camp
mk48 1895 Oil on canvas 26 1/2x42 1/4in Portland Museum of Ar,Maine.
   
   
     

Frederic E.Church The Arch of Titus oil


The Arch of Titus
Painting ID::  26267
The Arch of Titus
mk48 1871 George P.A.Healy,Frederic E.Church,jerivs McEntee Oil on canvas 74x49in
   
   
     

Frederic E.Church White Mountain Scenery,Franconia Notch,New Hampshire oil


White Mountain Scenery,Franconia Notch,New Hampshire
Painting ID::  26268
White Mountain Scenery,Franconia Notch,New Hampshire
mk48 1857 Oil on canvas 48 1/4x72 1/2in
mk48 1857 Oil_on_canvas 48_1/4x72_1/2in
   
   
     

Frederic E.Church Grand Manan Island,Bay of Fundy oil


Grand Manan Island,Bay of Fundy
Painting ID::  26269
Grand Manan Island,Bay of Fundy
mk48 1852 Oil on canvas 21 13/16x31 15/16in Wadsworth Atheneum Museum of Art,Hartford,Connecticut,The Gallery Fund
   
   
     

Frederic E.Church Study for The Icebergs oil


Study for The Icebergs
Painting ID::  26270
Study for The Icebergs
mk48 ca.1859 Brush and oil aint on tan paperboard 6 7/16x10 3/8in Cooper-Hewitt,National Design Museum,Smithsonian Institution.Gift of Louis P.Church
   
   
     

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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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