Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.
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Frederic E.Church New England Landscape oil


New England Landscape
Painting ID::  26177 		New England Landscape
mk48 1849 Oil on canvas 25 1/8x36 1/4in Amon Carter Museum,Fort Worth,Texas
   
   
     
Frederic E.Church Schoodic Peninsula from Mount Desert at Sunrise oil


Schoodic Peninsula from Mount Desert at Sunrise
Painting ID::  26178 		Schoodic Peninsula from Mount Desert at Sunrise
mk48 1850-55 Brush and oil paint on paperboard 9x13 3/4in Cooper-Hewitt,National Design Museum,Smithsonian Institution,Gift of Louis P.Church
   
   
     
Frederic E.Church View Across Frenchman s Bay from Mt.Desert Island,After a Squall oil


View Across Frenchman s Bay from Mt.Desert Island,After a Squall
Painting ID::  26179 		View Across Frenchman s Bay from Mt.Desert Island,After a Squall
mk48 1845 Oil on canvas 38 1/4x62 1/2in Cincinnati Art Museum,Gift of Alice Scarborough
   
   
     
Frederic E.Church New England Scenery oil


New England Scenery
Painting ID::  26180 		New England Scenery
mk48 1851 Oil on canvas 36x33in George Walter Vincent Smith Art Museum,Springfield,Massachusetts,George Walter Vincent
   
   
     
Frederic E.Church Landscape-Scene from Thanatopsis oil


Landscape-Scene from Thanatopsis
Painting ID::  26181 		Landscape-Scene from Thanatopsis
mk48 1850 Oil on canvas 39 1/2x61in The Metropolitan Museum of Art. Gift of J.Pierpont Morgan,
   
   
     
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     Frederic E.Church
     1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.

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