Frederic Edwin Church

American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour
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Frederic Edwin Church Morning, Looking East over the Hudson Valley from the Catskill Mountains oil


Morning, Looking East over the Hudson Valley from the Catskill Mountains
Painting ID::  10648 		Morning, Looking East over the Hudson Valley from the Catskill Mountains
1848 Oil on canvas; Albany Institute of History and Art,NY 18 x 24 in
   
   
     
Frederic Edwin Church To the Memory of Cole oil


To the Memory of Cole
Painting ID::  10649 		To the Memory of Cole
1848; Oil on canvas 32 x 49 in.
1848;_ Oil_on_canvas_ 32_x_49_in.
   
   
     
Frederic Edwin Church View in Pittsford, Vt. oil


View in Pittsford, Vt.
Painting ID::  10650 		View in Pittsford, Vt.
1848; Oil on academy board; 11 x 16.25 in.
1848;_Oil_on_ academy_board;_ 11_x_16.25_in.
   
   
     
Frederic Edwin Church New England Landscape oil


New England Landscape
Painting ID::  10651 		New England Landscape
1849; OIl on canvas Amon Carter Museum, Fort Worth, Texas 25.13 x 36 25 in
   
   
     
Frederic Edwin Church Above the Clouds at Sunrise oil


Above the Clouds at Sunrise
Painting ID::  10652 		Above the Clouds at Sunrise
1849; Oil on canvas; 27.25 x 40.25 in
1849;_ Oil_on_canvas;_ 27.25_x_40.25_in
   
   
     
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     Frederic Edwin Church
     American Hudson River School Painter, 1826-1900 ..American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole. This was an unusual honour

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