GIORDANO, Luca

Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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GIORDANO, Luca Perseus Fighting Phineus and his Companions dfhj oil


Perseus Fighting Phineus and his Companions dfhj
Painting ID::  6878 		Perseus Fighting Phineus and his Companions dfhj
c. 1670 Oil on canvas, 285 x 366 cm National Gallery, London
   
   
     
GIORDANO, Luca Psyche Honoured by the People fj oil


Psyche Honoured by the People fj
Painting ID::  6879 		Psyche Honoured by the People fj
1692-1702 Oil on copper, 57,5 x 68,9 cm Royal Collection, Windsor
   
   
     
GIORDANO, Luca Psyche's Parents Offering Sacrifice to Apollo dfj oil


Psyche's Parents Offering Sacrifice to Apollo dfj
Painting ID::  6880 		Psyche's Parents Offering Sacrifice to Apollo dfj
1692-1702 Oil on copper, 56,2 x 69,2 cm Royal Collection, Windsor
   
   
     
GIORDANO, Luca Psyche Served by Invisible Spirits fhh oil


Psyche Served by Invisible Spirits fhh
Painting ID::  6881 		Psyche Served by Invisible Spirits fhh
1692-1702 Oil on copper, 57,8 x 68,9 cm Royal Collection, Windsor
   
   
     
GIORDANO, Luca Venus Punishing Psyche with a Task dfh oil


Venus Punishing Psyche with a Task dfh
Painting ID::  6882 		Venus Punishing Psyche with a Task dfh
1692-1702 Oil on copper, 58,1 x 68,9 cm Royal Collection, Windsor
   
   
     
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     GIORDANO, Luca
     Italian Baroque Era Painter, ca.1634-1705 ,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.

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